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Materials · Natural board

Kraft board for printed packaging

Kraft board is brown, unbleached board with a natural look and strong fibres. It is used for folding cartons, mailer boxes, sleeves and rigid-box wraps where a raw, honest finish suits the brand. It prints differently from white board: dark colours and one or two spot colours work best, and white needs special treatment. This page explains kraft grades, print results and finishes, and where kraft is the right choice.

Two kraft E-flute mailer boxes with their lids open

Overview

What kraft board is and how it prints

Kraft comes from the German word for strength. The kraft (sulphate) pulping process keeps wood fibres long, which gives kraft board and paper good tear and fold strength. Left unbleached, the fibre stays brown, and that natural brown is the kraft look. The shade varies from light tan to deeper brown between mills and batches, and kraft with recycled content can show darker flecks.

Kraft appears in several forms. Solid kraft carton board is used for folding cartons, pillow boxes and gable boxes. Kraft liners form the outside of brown corrugated board, including most kraft mailer boxes. Kraft paper is used as a wrap on rigid greyboard boxes. White-top or coated kraft has a white printing face on a brown back, for brands that want bright print outside and a natural brown inside.

Printing on kraft works differently. Standard printing inks are translucent, so the brown shows through them: colours print darker and warmer, pale tints almost disappear, and white cannot be printed with ordinary process colours. Black, deep blues, greens and reds, and one or two Pantone colours give the cleanest results. Where white is essential, it needs a white ink underlay or a white-top board, which we confirm on your quotation.

Finishes behave differently too. Foil blocking in gold, copper or white shows strongly against brown. Spot UV soaks into uncoated kraft and gives little contrast. Lamination protects the surface from scuffs and grease but darkens the board slightly and flattens some of the raw texture, so many kraft buyers leave it off. Free Lamination is standard on every order, so the choice is yours.

Brown does not automatically mean greener. Kraft can be virgin or recycled fibre, and white board can be recycled too. If recycled content or recyclability is part of your brief, say so at specification stage so that the board, any coating and the finishes are chosen with it in mind, and so that anything printed on the box about the material is accurate.

Specification

Typical specification

Kraft board specification
SpecificationTypical rangeNotes
Kraft folding carton boardTypically 250–400 gsmBrown on both sides; for tuck end cartons, pillow boxes, gable boxes and sleeves.
White-top (coated) kraftTypically 250–400 gsmWhite coated printing face with a brown back and edges: brighter colour outside, natural look inside.
Kraft corrugated linerCommonly 115–200 gsm linersBrown outer liner on E or B flute for kraft mailer boxes; see corrugated board for grades.
Kraft wrap paperCommonly 100–150 gsmWraps greyboard for rigid boxes with a natural finish; pairs well with foil blocking and debossing.

Best for

Where it works best

  • Tea and coffee

    Kraft cartons and sleeves suit the natural, roasted look many tea and coffee brands want.

  • Candles

    Kraft cartons with one dark print colour and a gold or copper foil logo.

  • Soap, bath and body

    Kraft sleeves and pillow boxes for handmade and natural ranges.

  • Food to go and bakery

    Kraft gable and tuck end boxes for wrapped food; direct food contact needs a suitable grade.

  • E-commerce mailer boxes

    Kraft corrugated mailers with a one- or two-colour logo keep the look simple and robust.

  • Fashion accessories

    Kraft sleeves and kraft-wrapped rigid boxes finished with a deboss or foil.

Limitations

Where it falls short

  • Full-colour and photographic artwork reproduces darker and less accurately than on white board.
  • White cannot be printed with standard process colours; it needs a white ink underlay or a white-top board.
  • The natural shade varies between batches, so the board colour itself can differ slightly from one order to the next.
  • Unlaminated kraft marks more easily with grease, water and handling.
  • Spot UV gives little contrast on uncoated kraft, so foil or deboss is usually the better highlight.
  • Brown board is not automatically recycled or more recyclable; check the specification before making claims.

Compare

Natural kraft, white-top kraft or white board?

Natural kraft, white-top kraft or white board?
FeatureNatural kraftWhite-top kraftWhite board (FBB or SBS)
LookBrown throughoutWhite face, brown back and edgesWhite face; cream or white back
Full-colour printDarker and warmer; pale shades fadeClose to white board on the faceThe most accurate colour
White in the artworkNeeds a white ink underlayLeft unprintedLeft unprinted
Best finishesFoil and deboss; lamination optionalLamination, foil, spot UVEvery finish
Brand feelNatural, craft, food to goNatural with bright brandingClean retail, beauty, premium

How to choose

How to get the best from kraft

  • Decide how much colour you need

    If the design is a logo and a few lines of text, natural kraft looks excellent. If it relies on photographs, pale colours or exact brand colours, choose white-top kraft or white board.

  • Keep the artwork bold

    Use solid shapes, dark colours and generous line weights. Fine type in pale colours will not read on brown, and gradients lose their range.

  • Use foil or white ink for highlights

    Gold, copper and white foils give crisp contrast on kraft. A white ink underlay lets a colour print cleanly where it matters, and we confirm the method on your quotation.

  • Decide on lamination deliberately

    Lamination protects kraft from scuffs and grease but darkens it and flattens the texture. Leave it off for the most natural look, or add it for boxes that are handled a lot.

  • Tell us the product and the journey

    Kraft covers cartons, mailers and wraps. The product weight, how it travels and whether food touches the board decide which kraft grade we recommend.

Kraft board questions

Questions buyers ask

Anything not covered here, put it in the notes on your quote and we will answer it directly.

Ask on your quote

What is kraft board?

Kraft board is board made from kraft (sulphate) pulp, which has long, strong fibres. Left unbleached it is brown, which gives kraft packaging its natural look. It is used for folding cartons, corrugated liners, sleeves and rigid-box wraps.

Can you print full colour on kraft?

Yes, but the brown shows through the inks, so colours print darker and warmer and pale shades fade. For bright or photographic artwork we recommend white-top kraft or white board. For a natural look, one or two dark colours on kraft usually look best.

Can you print white on kraft board?

Not with standard process colours, because there is no white in CMYK and the board itself is brown. White needs a white ink underlay, a white pigment foil, or a white-top board where the white areas are simply left unprinted.

Is kraft stronger than white board?

Kraft fibre is long and strong, so kraft paper and kraft liners have good tear and burst strength. For cartons, stiffness depends more on the board type and weight than on its colour; for mailer boxes, the flute and liner grade decide the strength.

Is kraft packaging more sustainable?

Not automatically. Kraft can be made from virgin or recycled fibre, and white board can also be recycled. The fibre source, coatings and finishes matter more than the colour. Tell us your goals at specification stage and we will explain the options honestly.

Should I laminate kraft boxes?

It depends on the look and the handling. Lamination protects kraft from scuffs, grease and moisture but darkens it and flattens the texture. Free Lamination is standard on every order, so you can choose whichever suits the product.

Why might my kraft boxes look a slightly different shade from the last order?

Kraft is a natural, unbleached material, so its shade varies between mills and batches. The printed colours sit on that brown, so they can shift slightly too. If consistency is critical, white-top kraft or white board gives a more stable base.

Ready to specify your packaging?

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